“All the King’s Men” tells the tale of Willie Stark (Broderick Crawford), a honest and kind man from the fictional state of Konoma who wants to make his town a better place, especially since it seems to be run by gangsters and corrupt politicians. A reporter from a big time newspaper, Jack Burden (John Ireland), writes several articles about Willie that get him noticed across the country, to the point that the political machine wants him to run for Governor of the state to turn the tide of a split vote. This leads Willie down a path of no return when the people fall in love with his ruthless yet powerful words and becomes just as corrupt and crooked as the politicians he originally hated.
I won’t dwell on how this was done better in films like “A Face in the Crowd” and “Citizen Kane,” but I will say that “All the King’s Men” overstays its welcome about halfway through the film and ends up repeating many of the same beats and points many times. The first half of the film is enjoyable due to Crawford’s performance as Willie Stark and how it truly feels like a man who wants a better group of people in the government, while John Ireland plays a reporter who falls in love with those ideas.
But a little bit over halfway through the film, it gets off the pleasant highway and gets stuck on a horse-racing track where it keeps going in circles for far longer than it needed to.
After a certain point, these characters just feel like a bunch of brick walls that refuse to learn or change their stances, even as many events happen that should change them. Willie remains a brute, Jack stubbornly stays by his side even though he really shouldn’t, and ultimately neither of them really learn anything. It’s like watching a toddler who refuses to play with more than one toy, except now that toddler is a gangster politician, and now it becomes infuriating.
Overall, while there’s a strong message absolute power corrupting, “All the King’s Men” could have stand to lose some repetitive scenes, especially in the second half. It gets to the point where all of these characters, that started out likable and relatable enough, become irredeemable pricks that have lost all heart and meaning. As a result, it often felt like this film had no soul.
Final Grade: C