Hot off the heels of watching “The Disaster Artist,” I saw another movie about making movies, 1954’s “A Star Is Born,” and found myself nearly falling asleep at the monotonous scenes of Judy Garland singing directly into the camera for no other reason than to show that she can still sing. Any joy to be had here from filmmaking is replaced with a cynical attitude about how fame is fleeting and way too many musical numbers than there needed to be.
I would say the cardinal sin of “A Star Is Born” is its runtime – well over three hours with a story that could have been told in less than two. I get that this was a way to give Judy Garland a comeback as an actress, but there are large portions of this movie where the story just disappears and we get tacky, self-important musical numbers.
Garland’s acting and singing ability can only take this movie so far, especially when we don’t get to see her try to be an actress outside of her singing ability. She rises from an aspiring singer with a band to an overnight sensation, but the finer details of her rise and the movies she makes are glossed over. The only thing we truly learn about her character is that she’s a great singer and wants to make it big, so I don’t feel much of a connection to this character.
Overall, “A Star Is Born” is a rather forgettable and unimpressive musical about filmmaking. The acting is fine and Garland can still belt out some great tunes, but the story is lacking, the pacing is horrendous, it is way longer than it needed to be, and it puts musical numbers ahead of everything else, including character development. It’s not terrible by any means and it looks gorgeous in Technicolor, but this one doesn’t have much going for it.
Final Grade: C-